RESOLUTION is an Integrated Production and Post Production business with over 25 years experience working with leading brands globally in delivering high quality craft in film production, VFX, CGI & Motion Design, and recently AR/VR and Experiences. Click above to see our latest reel.
Posts Tagged: 2D
RES have a proud history of working on Tourism campaigns but rarely do we make these for Australians. But this campaign for Tourism Australia by Director Chris Rickett, urges Australians to explore those parts of the country that are especially reliant on international visitors due to the restrictions in place during COVID. The message is… Read more »
What a joy to work on this fun campaign for Steggles as they celebrate the ‘Unsung Hero’ of Aussie families. The TVC ignored all the usual advertising heroes — Mums, Dads, cooks and even children — to gratuitously focus on the chicken that brings them together. Our job was to follow this brief as we… Read more »
This is the second time we’ve been part of CommBank launching their new brand identity, Can Lives Here. It was great to work with Rob Stanton-Cook on this labour of love and we are loving the finished result. Filmed and produced during Sydney’s first lockdown, we did all our VFX and grading work remotely with… Read more »
Jesse James first worked with RES as an intern a few years ago and so it was a delight to have him back as an accomplished Director and to collaborate with him to bring the VFX and visual narrative to life in this campaign for Domain. Edited by Phil Horn and completed on a tight… Read more »
RES brought their expertise in VFX supervision and in-camera know-how to the table working with MOFA’s Nick Kelly on location in an epic three day shoot on Pittwater, Sydney. We dropped our sea-sick tablets and found our sea legs shooting just 15 boats that would need to be replicated in Flame to 75 boats in… Read more »
At RES we love getting briefed on projects that are a little kooky and outside of our expected capabilities. Having worked directly with Unilever on a number of successful launch campaigns, we have built a body of work and trust and are often asked to take the shell of an idea and flesh it out… Read more »
Director Tim Dyroff and a dedicated crew shot for 12 days around Australia from Sydney’s CBD in wind-down to the rugged corners of Tasmania and Western Australia to capture these stunning landscapes by night. Nothing was more important than seizing these nocturnal moments…not even sleep! Working closely with the amazing team at AJF Partnership Melbourne,… Read more »
Yes is a word we like, and when we spoke to M&C Saatchi about working with them on this piece for Optus, it was the first word that sprung to mind. M&C were seeking something fresh to kick-off the Yes TV by Fetch launch. We wanted to design illustrations and imagery that not only matched… Read more »
It’s not often that we are asked to scare our audience. What a pleasure to delve into the darker emotion of FEAR utilising exploding, leaking, and contaminated typographic executions for Shift, Sydney. Fast-paced and beautifully lit, the menacingly abstract renditions are supported by closely mic’d sound effects courtesy of Noise International.
A beautifully crafted visualisation of Lend Lease’s Barangaroo development, brought to life as an architect’s model, seen through the eyes of a young family. This script involved a one day shoot at the construction site with many logistical considerations and extensive VFX augmentation in post. Since a wooden model would need to be absolutely accurate,… Read more »
The team worked tirelessly for a solid two months using a mix of live-action, stills photography, 2D & 3D animation, and just about every post trick up our collective sleeve. Bulleit was one of those projects that happen now and again that allow you total creative freedom to explore and create some amazing work. The… Read more »
Directed and animated by Dylan McIntyre, ‘The Art of Noise’ won one of only two silver Cannes Design Lions in 2013. With a VO and over 20 SFX to illustrate, we created a 90 second animation that would directly connect ‘what you hear’ with ‘what you see’. Through custom scripting, McIntyre developed a way to… Read more »
Around 20 holiday icons were created in 3D with a simple shaded look. The clean graphic set-up allowed the team to continually bounce between complex and simpler compositions, allowing the viewer to be both teased with the dazzling patterns, while also making sense of the objects unraveling before them. The camera travels forward at a… Read more »
One of a series of titles packages we have completed for The Block, and a real collaboration between 3D and 2D design to bring the paper city and apartment block to life. The show keeps rating its socks off and we’re very proud to be involved with such a dynamic and popular franchise.
We worked with BWM to develop a script and treatment that would culminate in the reveal of an impressive floral creation. Director Dylan McIntyre got up close and personal with an array of stunning seasonal flora, resulting in some incredible views of flowers in bloom, rarely seen. Macro photography was used to create a sense… Read more »
Showing our wilder side, RES was commisioned to design all of the classic tattoos and great characters that inhabit this TVC and bring them to life in a eye-popping spot for cinema release. We shot the talent in studio and then projected the animation onto a virtual 3D body to achieve the seamless journey and… Read more »
The story of an adventure told through a child’s eyes is brought to life through this beautiful animated piece. Characters from the My Family sticker series were created in 3D to take us on the journey, before settling in place on the back of their Kluger windscreen. The photo-real Kluger was built entirely in 3D… Read more »
An oldie but a goodie. This spot was done at a time when everyone was referencing Gnarls Barkley’s Crazy. Of course it’s fine to reference things, but in the end you want to make something that feels original and true to the product – this is a fine example of that.
To assist the live action shoot, we set up a 3D/2D suite on-set, so both Director and Agency could visualize in real time how the virtual environment and green screen cricket performances were working together. Camera angles, eye lines and correct heights were all pre-planned so that everything came together seamlessly in post.
We were asked by HTC to develop a brief history of the company and their remakable innovations using a warm palette of 2D and 3D techniques and artistry. We developed the concept of a ‘notebook of ideas’ brought to life with each new page and technological evolution in the company’s unique story.
One of five spots for Commbank that share the vision and capacity of Australia’s largest retail bank using its leading managers as talent. We shot in studio and on location then intercut the material with simple and subtle graphic touches to add a branded look.