February 18, 2021Comments are off for this post.
RES brought their expertise in VFX supervision and in-camera know-how to the table working with MOFA’s Nick Kelly on location in an epic three day shoot on Pittwater, Sydney. We dropped our sea-sick tablets and found our sea legs shooting just 15 boats that would need to be replicated in Flame to 75 boats in an ambitious wide angle aerial sequence.
“Because time was short we opted for a more traditional path for the VFX approach, multiplying the boats from in-camera footage and additional VFX passes. We used 3D but as a previz tool to work out the best way we would make the high angle drone shot come together, testing the idea before a single boat hit the waves” says Tim Dyroff who looked after the VFX supervision.
RES also fired a few rounds of green flares up into the sky at the end of the spot, and dropped a TAB banner with the help of 3D which gave the client flexibility for last minute content changes and really gives the scene the heightened drama it deserves (pun intended).