RESOLUTION is an Integrated Production and Post Production business with over 25 years experience working with leading brands globally in delivering high quality craft in film production, VFX, CGI & Motion Design, and recently AR/VR and Experiences.
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September 9, 2021 — Comments are off for this post.
Resolution Reel 2021
July 20, 2021 — Comments are off for this post.
Holiday Here This Year
RES have a proud history of working on Tourism campaigns but rarely do we make these for Australians. But this campaign for Tourism Australia by Director Chris Rickett, urges Australians to explore those parts of the country that are especially reliant on international visitors due to the restrictions in place during COVID. The message is a simple one.. and that is taking a longer break is not only good for our personal wellbeing but also for Australia and the many communities and businesses that rely on tourism. So get out there!
Our role was to provide seamless composites in Flame and exquisite Resolve grading to bring each scene to life with a mix of reverence and humour. We tried to show each location in a fresh way that suited Hamish and Zoe’s take on things but also connected this land of many contrasts into one unified moment. We just can’t wait to get out there and see it all.
July 20, 2021 — Comments are off for this post.
Unsung Hero
What a joy to work on this fun campaign for Steggles as they celebrate the ‘Unsung Hero’ of Aussie families. The TVC ignored all the usual advertising heroes — Mums, Dads, cooks and even children — to gratuitously focus on the chicken that brings them together.
Our job was to follow this brief as we graded, composited and added supers and logos in all the wrong places, keeping the comic moments paramount. Enjoy the spot and don’t take any of it too seriously.
March 18, 2021 — Comments are off for this post.
Can Lives Here
This is the second time we’ve been part of CommBank launching their new brand identity, Can Lives Here. It was great to work with Rob Stanton-Cook on this labour of love and we are loving the finished result. Filmed and produced during Sydney’s first lockdown, we did all our VFX and grading work remotely with our teams and the client. Although we deploy an amazing array of technically sophisticated tools to the task, it’s the film's tone that resonates emotion and the VFX work disappears into the background just as we like it to.
June 10, 2018 — Comments are off for this post.
Wake Up to Sleep
Director Tim Dyroff and a dedicated crew shot for 12 days around Australia from Sydney’s CBD in wind-down to the rugged corners of Tasmania and Western Australia to capture these stunning landscapes by night. Nothing was more important than seizing these nocturnal moments…not even sleep!
Working closely with the amazing team at AJF Partnership Melbourne, Resolution was able to craft this stunning brand campaign under one roof for Forty Winks seamlessly blending cinematography with CGI installations and camera tracked star plates. We also took on all the print photography and cleanups to unify the visual assets and style.
Watch the before and afters reel below to find out more
Published by res-user in VFX
June 8, 2016 — Comments are off for this post.
Elevit: Core
This breath-taking piece of live-action, design and animation takes you into the world of an unborn child as it develops over nine months. Directed by Tim Dyroff, who subtly captures the miracle of life unfolding with warmth and a sense of discovery. This project was beautifully realised by our 3D team who used their finesse to create the life like skin textures, fluids and movements of a growing baby. It has been a special opportunity for us to collaborate with Bayer and JWT to take audiences into this unprecedented territory.
March 1, 2015 — Comments are off for this post.
Barangaroo: Urban Regeneration
A beautifully crafted visualisation of Lend Lease's Barangaroo development, brought to life as an architect's model, seen through the eyes of a young family. This script involved a one day shoot at the construction site with many logistical considerations and extensive VFX augmentation in post. Since a wooden model would need to be absolutely accurate, building it physically for filming would have been expensive and impractical, so we made it in 3D.
February 24, 2015 — Comments are off for this post.
Go Behind the Scenery
For Tourism Tasmania we created an eclectic range of transitional devices, each one taking the viewer effortlessly from one place to the next. There are over 20 VFX shots in this TVC. We joined Director Josh Frizzell on set, ensuring we had everything required for post with minimal interference on the shoot. We pride ourselves on understanding the production process and the need to work swiftly on set.
February 17, 2015 — Comments are off for this post.
Ryobi Cup: One Day Opening Titles
We were totally buzzed when we got the brief from Fox Sports to shoot the WACA scoreboard and grounds for the Ryobi Cup series. Directed by Tim Dyroff and shot by Geoff Hall ACS in a gruelling one day shoot, we were able to use the actual scoreboard keepers and emerging cricket talent to create a broadcast package that fit the brief to move away from a typical 3D opener.
February 16, 2015 — Comments are off for this post.
175 Years
This has been one of our largest shoots, spanning 9 locations over 6 days. To assist the live action shoot, we set up a 3D/2D suite on-set, so the director and agency could visualize in real time how the virtual environment and Arcade shoppers were working together; taking into account camera angle options, shop windows & doors so that everything came together seamlessly in post.
February 12, 2015 — Comments are off for this post.
“Nick” & “Beth”
Capturing great performance as a director can be difficult if the scene also requires complex VFX. In this compelling spot that was certainly the case, as we travel back in time to the moment a workplace accident changes everything. The overall outtake is definitely an emotional one. Edit, Grade and VFX all done at RES.
Published by res-admin in VFX
February 10, 2015 — Comments are off for this post.
Amarok
We open on a wide shot of a desert landscape and Amarok driving on a dirt track away from camera. The off-road VW Amarok takes us on a journey through the famous Dakar Rally before sliding into a pristine white studio environment. Resolution seamlessly added decals, created set extensions and built an entirely 3D vehicle for its final presentation.
February 9, 2015 — Comments are off for this post.
Summer
We hit the ball right out of the park on this amazing VFX job for Director Josh Frizzell. Combining bluescreen talent into a seamless 3D bottle was no easy task but the result still amazes. RES provided on-set supervision, grading and over 60 VFX shots to make this epic spot magic.