RESOLUTION is an Integrated Production and Post Production business with over 25 years experience working with leading brands globally in delivering high quality craft in film production, VFX, CGI & Motion Design, and recently AR/VR and Experiences. Click above to see our latest reel.
Posts Tagged: grade
RES have a proud history of working on Tourism campaigns but rarely do we make these for Australians. But this campaign for Tourism Australia by Director Chris Rickett, urges Australians to explore those parts of the country that are especially reliant on international visitors due to the restrictions in place during COVID. The message is… Read more »
What a joy to work on this fun campaign for Steggles as they celebrate the ‘Unsung Hero’ of Aussie families. The TVC ignored all the usual advertising heroes — Mums, Dads, cooks and even children — to gratuitously focus on the chicken that brings them together. Our job was to follow this brief as we… Read more »
This is the second time we’ve been part of CommBank launching their new brand identity, Can Lives Here. It was great to work with Rob Stanton-Cook on this labour of love and we are loving the finished result. Filmed and produced during Sydney’s first lockdown, we did all our VFX and grading work remotely with… Read more »
Director Tim Dyroff and a dedicated crew shot for 12 days around Australia from Sydney’s CBD in wind-down to the rugged corners of Tasmania and Western Australia to capture these stunning landscapes by night. Nothing was more important than seizing these nocturnal moments…not even sleep! Working closely with the amazing team at AJF Partnership Melbourne,… Read more »
This breath-taking piece of live-action, design and animation takes you into the world of an unborn child as it develops over nine months. Directed by Tim Dyroff, who subtly captures the miracle of life unfolding with warmth and a sense of discovery. This project was beautifully realised by our 3D team who used their finesse… Read more »
A beautifully crafted visualisation of Lend Lease’s Barangaroo development, brought to life as an architect’s model, seen through the eyes of a young family. This script involved a one day shoot at the construction site with many logistical considerations and extensive VFX augmentation in post. Since a wooden model would need to be absolutely accurate,… Read more »
For Tourism Tasmania we created an eclectic range of transitional devices, each one taking the viewer effortlessly from one place to the next. There are over 20 VFX shots in this TVC. We joined Director Josh Frizzell on set, ensuring we had everything required for post with minimal interference on the shoot. We pride ourselves… Read more »
We were totally buzzed when we got the brief from Fox Sports to shoot the WACA scoreboard and grounds for the Ryobi Cup series. Directed by Tim Dyroff and shot by Geoff Hall ACS in a gruelling one day shoot, we were able to use the actual scoreboard keepers and emerging cricket talent to create… Read more »
This has been one of our largest shoots, spanning 9 locations over 6 days. To assist the live action shoot, we set up a 3D/2D suite on-set, so the director and agency could visualize in real time how the virtual environment and Arcade shoppers were working together; taking into account camera angle options, shop windows… Read more »
Capturing great performance as a director can be difficult if the scene also requires complex VFX. In this compelling spot that was certainly the case, as we travel back in time to the moment a workplace accident changes everything. The overall outtake is definitely an emotional one. Edit, Grade and VFX all done at RES.
We open on a wide shot of a desert landscape and Amarok driving on a dirt track away from camera. The off-road VW Amarok takes us on a journey through the famous Dakar Rally before sliding into a pristine white studio environment. Resolution seamlessly added decals, created set extensions and built an entirely 3D vehicle… Read more »
We hit the ball right out of the park on this amazing VFX job for Director Josh Frizzell. Combining bluescreen talent into a seamless 3D bottle was no easy task but the result still amazes. RES provided on-set supervision, grading and over 60 VFX shots to make this epic spot magic.